FabricationsHQ - Putting the Words to the Music
  • Muirsical Thoughts, Muirsical News Last update: April 13th
  • Latest Articles (links)
  • Joe Bonamassa - Austin City Limits, Live Stream
  • Todd Rundgren - Clearly Human Virtual Tour, "Pittsburgh"
  • Reach - The Promise Of a LIfe
  • Lyle Workman (March 2021)
  • Robert Berry (March 2021)
  • Writing the Wrongs... 2020 in Review
  • Featured Album Reviews
    • Jane Getter Premonition - Anomalia
    • Mason Hill - Against The Wall
    • Lyle Workman - Uncommon Measures
    • Robert Berry - 3.2 : Third Impression
    • Lifesigns - Altitude
    • Jason Bieler and The Baron Von Bielski Orchestra - Songs For The Apocalypse
    • 2020 Featured Album Reviews >
      • McCartney III
      • Gary Barlow - Music Played By Humans
      • Storm Warning - Different Horizons
      • Reb Beach - A View From The Inside
      • Lykantropi - Tales To Be Told
      • King King - Maverick
      • Jakko M Jakszyk - Secrets & Lies
      • Blue Öyster Cult - The Symbol Remains
      • Fish - Weltschmerz
      • Dyble Longdon - Between A Breath And A Breath
      • Jim Kirkpatrick - Ballad of a Prodigal Son
      • Abel Ganz - The Life of the Honey Bee & Other Moments of Clarity
      • Toby and the Whole Truth - Ignorance is Bliss (25th Anniversary Edition)
      • Everyday Heroes - A Tale of Sin & Sorrow
      • Skintrade - The Show Must Go On
      • Robert Jon & The Wreck - Last Light on the Highway
      • Pat Metheny - From This Place
      • Anchor Lane - Casino
    • 2019 Featured Album Reviews >
      • Fat-Suit - Waifs & Strays
      • Wayward Sons - The Truth Ain't What it Used to Be
      • Flying Colors - Third Degree
      • Steve Hackett - Genesis Revisited Band & Orchestra: Live
      • Burnt Out Wreck - This is Hell
      • Runrig - The Last Dance
      • Scarlet Rebels - Show Your Colours
      • The Blind Lemon Gators - Gatorville
      • Bruce Springsteen - Western Stars
      • Sweet Oblivion Feat. Geoff Tate
      • Rebecca Downes - More Sinner Than Saint
      • Stray - Mudanzas
      • Snarky Puppy - Immigrance
      • Aaron Buchanan And The Cult Classics - The Man With Stars On His Knees
    • 2018 Featured Album Reviews >
      • Simon Thacker's Svara-Kanti - Trikala
      • Jason Becker - Triumphant Hearts
      • Duncan Chisholm - Sandwood
      • Jawbone - Jawbone
      • Steve Perry - Traces
      • Sari Schorr - Never Say Never
      • Joe Bonamassa - Redemption
      • Ben Poole - Anytime You Need Me
      • Hawkwind - Road To Utopia
      • Rainbreakers - Face To Face
      • Frequency Drift - Letters to Maro
      • JCM - Heroes
      • Dana Fuchs - Love Lives On
      • Joe Bonamassa - British Blues Explosion Live
      • W.E.T. - Earthrage
      • The King Lot - A World Without Evil
  • Monthly Album Reviews...
    • 2021 Reviews
    • 2020 Reviews
    • 2019 Reviews
    • 2018 Reviews
  • Selected 2020 Gig Reviews...
    • Jared James Nichols - Garage G2, Glasgow
    • Oscar Cordoba Band - Blue Arrow, Glasgow
    • Rebecca Downes Band - The Ice Box, Glasgow
    • Ben Poole Trio - Room 2, Glasgow
    • Sensational Alex Harvey Experience - DreadnoughtRock, Bathgate
    • The Aristocrats - Liquid Rooms, Edinburgh
    • Fat Suit - Drygate, Glasgow
    • Francis Dunnery's It Bites - St Lukes, Glasgow
  • Selected 2019 Gig Reviews...
    • WinterStorm Rock Weekender IV - Troon
    • Hawkwind - 02 Academy, Glasgow
    • Opeth - SWG3 Galvanizers, Glasgow
    • Félix Rabin - Nice 'N' Sleazy Glasgow
    • Anchor Lane - G2, Glasgow
    • Stray - Backstage at the Green, Kinross
    • Danny Bryant - Backstage at the Green, Kinross
    • Talon - Pavilion Theatre, Glasgow
    • Lifesigns - Smiles of Musical Travel
    • A Whole Lotta Rock 3 - featuring Rattlesnake Tattoo, Prestwick
    • Chantel McGregor - Hard Rock Cafe Glasgow
    • Pete Way Band - Customs House Hotel, Greenock
    • Raintown and Katee Kross - Village Theatre, East Kilbride
    • Danny Vaughn - DreadnoughtRock, Bathgate
    • NR Rocks 2019 - DreadnoughtRock, Bathgate
    • Arran Rock 'N' Blues Fest 2019
    • Cheap Trick - 02 Academy, Glasgow
    • The Blind Lemon Gators - Tolboth, Stirling
    • Midnight Oil - 02 Brixton Academy, London
    • Ana Popovic - Oran Mor, Glasgow
    • Joe Bonamassa - SEC Armadillo, Glasgow
    • Eden's Curse - The Garage G2, Glasgow
    • Félix Rabin - Nice N Sleazy, Glasgow
    • Her Way to Hell - DreadnoughtRock, Bathgate
    • The Quireboys and FM - The Garage, Glasgow
    • Erja Lyytinen - Backstage at the Green, Kinross
    • Wille & The Bandits - Hug & Pint, Glasgow
    • Sari Schorr - Oran Mor, Glasgow
    • Frankie Miller's Full House - Oran Mor, Glasgow
    • A Whole Lotta Rock 2 featuring Brian Downey's Alive and Dangerous, Prestwick
    • John Verity Band - Borders Blues Club, Innerleithen
    • King King (with Sari Schorr) - 02 Academy, Glasgow
    • Burnt Out Wreck (with Scarlet Rebels) - Hard Rock Cafe, Glasgow
    • Buckcherry / Hoobastank / Adelita's Way - SWG3 Glasgow
  • Muirsical Conversations...
    • Dan Reed (February 2021)
    • Steve Hackett (January 2021)
    • John Verity (September 2020)
    • Steve Hackett (July 2020)
    • Gary Moat (March 2020)
    • Steve Hackett (October 2019)
    • Rebecca Downes (May 2019)
    • Ben Poole & Wayne Proctor (January 2019)
    • Dan Reed (November 2018)
    • Del Bromham (October 2018)
    • Brian Downey (September 2018)
    • Raintown - Paul Bain & Claire McArthur Bain (May 2018)
    • Hamilton Loomis (December 2017)
    • Alan Nimmo (October 2017)
    • Erja Lyytinen (September 2017)
    • Suzi Quatro (September 2017)
    • Biff Byford (August 2017)
    • Dan Patlansky (June 2017)
    • Graham Bonnet (May 2017)
    • Simon Thacker (April 2017)
    • Sari Schorr (March 2017)
    • Stevie Nimmo (February 2017)
    • Dan Reed (February 2017)
    • Adam Norsworthy (January 2017)
    • Colin James (December 2016)
    • John Lees (October 2016)
    • Sari Schorr (August 2016)
    • Mike Vernon (August 2016)
    • Wayne Proctor (July 2016)
    • Laurence Jones (April 2016)
    • Chantel McGregor (March 2016)
    • John Young (January 2016)
    • Michael Schenker (November 2015)
    • Martin Barre (October 2015)
    • Chris Norman (September 2015)
    • Joanne Shaw Taylor (August 2015)
    • Fee Waybill (July 2015)
    • Ian Anderson (June 2015)
    • John Lodge (June 2015)
    • John Lawton (May 2015)
    • Steve Hackett (May 2015)
    • Manny Charlton (April 2015)
    • Ben Poole (April 2015)
    • Alan Nimmo (February 2015)
    • Popa Chubby (December 2014)
    • Paul Young (July 2014)
    • Bernie Shaw (June 2014)
    • Lee Kerslake (December 2013)
    • Pat Travers (September 2013)
    • Steve Hunter (August 2013)
    • Joy Dunlop (March 2013)
    • Gwyn Ashton (Dec. 2012)
    • Greg Lake (October 2012)
    • Ned Evett (August 2012)
    • Steven Lindsay (July 2012)
    • Dave Cureton (June 2012)
    • Jon Anderson (May 2012)
    • Jeremey Frederick Hunsicker (March 2012)
    • Amy Schugar (Feb. 2012)
    • Robert Fleischman (November 2011)
    • Ivan Drever (Sep. 2011)
    • Michael Sadler (June 2011)
    • James Evans (April 2011)
    • Alyn Cosker (Nov. 2010)
    • Scott Higham (Nov. 2010)
    • Kevin Chalfant (Oct. 2010)
    • Francis Dunnery (Sep. 2010)
    • Duncan Chisholm (Aug 2010)
    • Barbara Rubin (July 2010)
    • Alan Reed (June 2010)
  • FabricationsHQ Q&As With...
    • Jason Bieler (February 2021)
    • Félix Rabin (February 2020)
    • Chantel McGregor (August 2019)
    • Greig Taylor (July 2019)
    • Adam Norsworthy (June 2019)
    • Erja Lyytinen (March 2019)
  • Muirsical Articles...
    • 2019AB?
    • The Fool Guitar - The Fool Story
    • Alex Harvey - Framed in Words. And pictures
    • Home of a Ramblin' Band (Allman Brothers Band Big House Museum)
    • Journey - That Time Forgot
    • KISS - Elder Statesmen, Elder Statement?
    • Phil Lynott - Remembering Pt. 3
    • Freddie Mercury - The Days of His Life
    • Gary Moore - Last Exit
    • Mott - Without any of the Hoople-la
    • Muirsical Six of the Best
    • Music Town: A Decade of the Darvel Music Festival
    • Pat Travers - The Forgotten Power Trio
    • Playing Tribute
    • Gerry Rafferty - Humblebum to Multi-Million Seller
    • Cliff Richard - The Rock and Roll Juvenile
    • Slade - Thanks For the Memories
    • The Sweet - A Cut Above the Rest
    • Talon - On Eagles Wings
    • Wild Horses - Thoroughbreds or also-rans?
  • A Personal Journey: Definitive Edition (eBook)
  • Steve Perry (vocalist): One in a Million (eBook)
  • A Writer's Muirsings...
    • A Writer's Muirsings: Introduction
    • Superbowl XLVII MVP: Beyoncé (February 2013)
    • Michael Jackson: The Alternative Verdict (Nov 2011)
    • True Colours (November 2010)
    • It's a New Language, Old Bean (October 2010)
    • Finger Pointing (July 2010)
    • Suffer the Little Children (April 2010)
    • Hey 'Banker', can you spare a dime? (February 2010)
    • Earlier Muirsings... >
      • Muirsical Christmas #1's (December 09)
      • 3-D, or not 3-D, Avatar? (December 09)
      • Pains, Planes and Automobiles (November 09)
  • A Man of Letters...
    • A Man of Letters (Introduction)
    • Letter to Danbury Mint #1
    • Letter to Danbury Mint #2
    • Letter to The Catholic League
    • Letter to SKY #1
    • Letter to SKY #2
    • Letter to SKY #3
    • Letter to Leeds City Council Parking Services
  • Author Bio & Site Info
  • Contact FabricationsHQ
​Sweet Oblivion Feat. Geoff Tate
Picture
The pre-release press for Sweet Oblivion along with comment from the main protagonists – guitarist-songwriter (and bassist on the album) Simone Mularoni (of Italian prog-metal giants DGM) and renowned rock and metal vocalist Geoff Tate – made no bones about this being a collaboration formed around songs conceived, written and performed to carry that classic mid 80s to early 90s Queensrÿche vibe (albeit within a contemporary rock setting).

In short, an opportunity for Geoff Tate to return to the musical soundscapes he made famous with Queensrÿche in that celebrated era.

Further, given the content of, and finished article that is, Sweet Oblivion Feat. Geoff Tate (the line-up is completed by drummer Paolo Caridi and DGM keyboardist Emanuele Casali), Tate’s comment "I believe a lot of the fans who dig the old Queensrÿche sound will enjoy this!" is about as accurate a musical summation of this album as you will read, see or hear.

Indeed the only Queensrÿche (and wider rock-metal) fans who won’t like this are likely to be the fraternity who only ever champion the name on the tin or refuse to get behind anything that Geoff Tate has done post-split. (The not exactly amicable parting of the ways in 2012 ended up in Who Gets What Court two years later).

Which is doubly self-damning to any of that mind-set because as a set of songs Sweet Oblivion is, arguably, and with not a little musical irony, a weightier proposition than anything Queensrÿche have done post-Tate.

Opening with the slam-dunk slab of rock metal 'True Colours' (a gritty-riffed melodic metal-weight of a song with seriously biting lyricism) Sweet Oblivion goes on to deliver another nine slices of exceptionally well delivered, Tate 'n' Queensrÿche inspired, melodic metal.

It might be less progressive in theme or lacking the occasional longer-form track length that was part of the classic Queensrÿche era fabric (only two songs slip past the five minute mark) but the album is no less progressive in how it delivers dynamic light and shade through its metallic sheened and melodically shod songs (and the occasional spoken word passage; a Tate trait). 

The title track, where melody and metal meet in atmospheric, mid-tempo harmony, and slow-build metal ballad 'Disconnect,' are two of a handful of numbers that will have you believing the band have pulled out and dusted down older, previously unreleased Queensrÿche songs that inexplicably didn’t make it on to an album such as Empire.
Similarly, many a Queensrÿche fan will be picking out the little guitar licks or short passages that nod in past homage (to return to the title track, compare its chorus to that of 'I Don’t Believe in Love').     

But Sweet Oblivion Feat. Geoff Tate is far from Queensrÿche pastiche.
The creation of darker, atmospheric passages (as used on 'My Last Story') and Simone Mularoni’s guitar stylings (melodically phrased, song serving solos with no unnecessary shredding) mean Sweet Oblivion stands strong as a contemporary offering and not just the best Queensrÿche album Geoff Tate never did.
The angular verses and melodic choruses of metal ballad 'Behind Your Eyes' and the pacey, melodic rock-metal brace of 'A Recess From My Fate' and 'The Deceiver' are contemporary-edged cases in point.
 
As excellent as Sweet Oblivion is however, it does lead to the following, and perhaps obvious, observation.

Geoff Tate is so revered for, and associated with, the success and sound of classic Queensrÿche that projects such as this and "classic albums performed live" (the excellent, semi-theatrical Operation : Mindcrime shows; confirmation of Empire Live in 2020) are his future, and not offerings such as the conceptual and musically adventurous trilogy of albums delivered between 2015 and 2017.
Which is a shame because The Key, the first offering of that trilogy, was an outstanding and atmospheric mix of Bowie soundscapes, darker jazz-tinted passages, rock and metal. But that's not what the fans want to hear.

Either way, Sweet Oblivion is a big, dynamic, melodic-metal shaped offering with excellent musicianship (and a huge drum sound) that showcases the Empire (re)building voice of Geoff Tate.  

Ross Muir
FabricationsHQ

Website and text contents © FabricationsHQ and Ross Muir
All Rights Reserved