FabricationsHQ - Putting the Words to the Music
  • Muirsical Thoughts, Muirsical News Last update: March 24th
  • Latest Articles (links)
  • Cruachan - The Living and The Dead
  • Elles Bailey - The Caves, Edinburgh
  • Knowing Your Shit... 2022 In Review
  • King Kraken - MCLXXX
  • Hayley Griffiths (February 2023)
  • Steve Hill (January 2023)
  • WinterStorm 2023 - Legends and Legacies Announcement
  • 2023 Reviews
  • 2023 Featured Album Reviews
    • Heavy Metal Kids - The Albums 1974-1976
    • Anchor Lane - Call This a Reality?
    • Doomsday Outlaw - Damaged Goods
    • Hayley Griffiths - Far From Here Hayley Griffiths Band - MELANIE
  • 2022 Reviews
  • 2022 Featured Album Reviews
    • Moon City Masters - The Famous Moon City Masters
    • Steve Hill - Dear Illusion
    • Kira Mac - Chaos is Calling
    • EBB - Mad & Killing Time
    • The Commoners - Find A Better Way
    • Rebecca Downes - The Space Between Us
    • Erja Lyytinen - Waiting For The Daylight
    • Chris Antonik - Morningstar
    • The Milk Men - Spin The Bottle
    • SiX BY SiX - SiX BY SiX
    • Jeff Berlin - Jack Songs
    • Keef Hartley Band - Sinnin' For You The Albums 1969-1973
    • Toby Lee - Icons Vol.1
    • Montrose - I Got The Fire : Complete Recordings 1973-1976
    • Orianthi - Live From Hollywood
    • Valeriy Stepanov Fusion Project - Album No. 2
    • Dan Reed Network - Let's Hear It For The King
    • Ali Ferguson - The Contemplative Power Of Water
    • Edgar Winter - Brother Johnny
    • Joe Satriani - The Elephants Of Mars
    • Dave Cureton - State Of Mind
    • Larry McCray - Blues Without You
    • Tears for Fears - Tipping Point
    • Kris Barras Band - Death Valley Paradise
    • Dan Patlansky - Shelter of Bones
    • Black Lakes - For All We've Left Behind
    • Wille & The Bandits - When The World Stood Still
    • LALU - Paint the Sky
    • Various Artists - Revolt Into Style 1979
  • 2021 Reviews
  • 2021 Featured Album Reviews
    • Dave Bainbridge - To The Far Away
    • Lachy Doley - Studios 301 Sessions
    • Mark Pontin Group - Kaleidoscope
    • The Mentulls - Recipe For Change
    • Plush - Plush
    • Wayward Sons - Even Up the Score
    • Pat Metheny - Side-Eye NYC (V1.IV)
    • Steve Hackett - Surrender Of Silence
    • Sweet Crisis - Tricks On My Mind
    • Amanda Lehmann - Innocence and Illusion
    • Chantel McGregor - Shed Sessions Volume One & Volume Two
    • Troy Redfern ...The Fire Cosmic!
    • NWOCR - Volume One
    • Jeff Kollman - East of Heaven
    • The Damn Truth - Now Or Nowhere
    • Dennis DeYoung - 26 East Vol 2
    • Mark Lettieri - Deep: The Baritone Sessions Vol 2
    • Reach - The Promise Of a LIfe
    • Jane Getter Premonition - Anomalia
    • Mason Hill - Against The Wall
    • Lyle Workman - Uncommon Measures
    • Robert Berry - 3.2 : Third Impression
    • Lifesigns - Altitude
    • Jason Bieler and The Baron Von Bielski Orchestra - Songs For The Apocalypse
  • 2020 Reviews
  • 2020 Featured Album Reviews
    • McCartney III
    • Gary Barlow - Music Played By Humans
    • Storm Warning - Different Horizons
    • Reb Beach - A View From The Inside
    • Lykantropi - Tales To Be Told
    • King King - Maverick
    • Jakko M Jakszyk - Secrets & Lies
    • Blue Öyster Cult - The Symbol Remains
    • Fish - Weltschmerz
    • Dyble Longdon - Between A Breath And A Breath
    • Jim Kirkpatrick - Ballad of a Prodigal Son
    • Abel Ganz - The Life of the Honey Bee & Other Moments of Clarity
    • Toby and the Whole Truth - Ignorance is Bliss (25th Anniversary Edition)
    • Everyday Heroes - A Tale of Sin & Sorrow
    • Skintrade - The Show Must Go On
    • Robert Jon & The Wreck - Last Light on the Highway
    • Pat Metheny - From This Place
    • Anchor Lane - Casino
  • Selected 2023 Gig Reviews...
    • The Wilson Brothers - Backstage at the Green, Kinross
  • Selected 2022 Gig Reviews...
    • WinterStorm Rock Weekender - Troon
    • Jack J Hutchinson - Bannermans, Edinburgh
    • Paul McCartney - Pyramid Stage, Glastonbury 2022
    • Daryl Hall - Ryman Auditorium, Nashville
    • Joe Bonamassa - SEC Armadillo, Glasgow
    • Dan Patlansky - Oran Mor, Glasgow
    • Eric Gales - Oran Mor, Glasgow
  • Selected 2021 Gig Reviews...
    • Sweet - The Garage, Glasgow
    • The Damn Truth - Now Or Nowhere Record Release Experiment Live
    • Anchor Lane - Lockdown Live, DreadnoughtRock, Bathgate
    • Laurence Jones - Live From Camden, Powerhaus, London
    • Joe Bonamassa - Austin City Limits, Live Stream
    • Todd Rundgren - Clearly Human Virtual Tour, "Pittsburgh"
  • Selected 2020 Gig Reviews...
    • Jared James Nichols - Garage G2, Glasgow
    • Oscar Cordoba Band - Blue Arrow, Glasgow
    • Rebecca Downes Band - The Ice Box, Glasgow
    • Ben Poole Trio - Room 2, Glasgow
    • Sensational Alex Harvey Experience - DreadnoughtRock, Bathgate
    • The Aristocrats - Liquid Rooms, Edinburgh
    • Fat Suit - Drygate, Glasgow
    • Francis Dunnery's It Bites - St Lukes, Glasgow
  • Selected 2019 Gig Reviews...
    • WinterStorm Rock Weekender IV - Troon
    • Hawkwind - 02 Academy, Glasgow
    • Opeth - SWG3 Galvanizers, Glasgow
    • Félix Rabin - Nice 'N' Sleazy Glasgow
    • Anchor Lane - G2, Glasgow
    • Stray - Backstage at the Green, Kinross
    • Danny Bryant - Backstage at the Green, Kinross
    • Talon - Pavilion Theatre, Glasgow
    • Lifesigns - Smiles of Musical Travel
    • A Whole Lotta Rock 3 - featuring Rattlesnake Tattoo, Prestwick
    • Chantel McGregor - Hard Rock Cafe Glasgow
    • Pete Way Band - Customs House Hotel, Greenock
    • Raintown and Katee Kross - Village Theatre, East Kilbride
    • Danny Vaughn - DreadnoughtRock, Bathgate
    • NR Rocks 2019 - DreadnoughtRock, Bathgate
    • Arran Rock 'N' Blues Fest 2019
    • Cheap Trick - 02 Academy, Glasgow
    • The Blind Lemon Gators - Tolboth, Stirling
  • Muirsical Conversations...
    • Rebecca Downes (December 2022)
    • Chris Antonik (November 2022)
    • Pat Travers (October 2022)
    • Robert Berry (August 2022)
    • JW-Jones (August 2022)
    • Mike Ross (July 2022)
    • Dan Patlansky - March 2022
    • Bernie Marsden (December 2021)
    • Robin George (November 2021)
    • Dennis DeYoung (June 2021)
    • Robert Berry (March 2021)
    • Dan Reed (February 2021)
    • Steve Hackett (January 2021)
    • John Verity (September 2020)
    • Steve Hackett (July 2020)
    • Gary Moat (March 2020)
    • Steve Hackett (October 2019)
    • Rebecca Downes (May 2019)
    • Ben Poole & Wayne Proctor (January 2019)
    • Dan Reed (November 2018)
    • Del Bromham (October 2018)
    • Brian Downey (September 2018)
    • Raintown - Paul Bain & Claire McArthur Bain (May 2018)
    • Hamilton Loomis (December 2017)
    • Alan Nimmo (October 2017)
    • Erja Lyytinen (September 2017)
    • Suzi Quatro (September 2017)
    • Biff Byford (August 2017)
    • Dan Patlansky (June 2017)
    • Graham Bonnet (May 2017)
    • Simon Thacker (April 2017)
    • Sari Schorr (March 2017)
    • Stevie Nimmo (February 2017)
    • Dan Reed (February 2017)
    • Adam Norsworthy (January 2017)
    • Colin James (December 2016)
    • John Lees (October 2016)
    • Sari Schorr (August 2016)
    • Mike Vernon (August 2016)
    • Wayne Proctor (July 2016)
    • Laurence Jones (April 2016)
    • Chantel McGregor (March 2016)
    • John Young (January 2016)
    • Michael Schenker (November 2015)
    • Martin Barre (October 2015)
    • Chris Norman (September 2015)
    • Joanne Shaw Taylor (August 2015)
    • Fee Waybill (July 2015)
    • Ian Anderson (June 2015)
    • John Lodge (June 2015)
    • John Lawton (May 2015)
    • Steve Hackett (May 2015)
    • Manny Charlton (April 2015)
    • Ben Poole (April 2015)
    • Alan Nimmo (February 2015)
    • Popa Chubby (December 2014)
    • Paul Young (July 2014)
    • Bernie Shaw (June 2014)
    • Lee Kerslake (December 2013)
    • Pat Travers (September 2013)
    • Steve Hunter (August 2013)
    • Joy Dunlop (March 2013)
    • Gwyn Ashton (Dec. 2012)
    • Greg Lake (October 2012)
    • Ned Evett (August 2012)
    • Steven Lindsay (July 2012)
    • Dave Cureton (June 2012)
    • Jon Anderson (May 2012)
    • Jeremey Frederick Hunsicker (March 2012)
    • Amy Schugar (Feb. 2012)
    • Robert Fleischman (November 2011)
    • Ivan Drever (Sep. 2011)
    • Michael Sadler (June 2011)
    • James Evans (April 2011)
    • Alyn Cosker (Nov. 2010)
    • Scott Higham (Nov. 2010)
    • Kevin Chalfant (Oct. 2010)
    • Francis Dunnery (Sep. 2010)
    • Duncan Chisholm (Aug 2010)
    • Barbara Rubin (July 2010)
    • Alan Reed (June 2010)
  • FabricationsHQ Q&As With...
    • Jeff Kollman - August 2021
    • Lyle Workman (March 2021)
    • Jason Bieler (February 2021)
    • Félix Rabin (February 2020)
    • Chantel McGregor (August 2019)
    • Greig Taylor (July 2019)
    • Adam Norsworthy (June 2019)
    • Erja Lyytinen (March 2019)
  • Muirsical Articles...
    • 2019AB?
    • The Fool Guitar - The Fool Story
    • Alex Harvey - Framed in Words. And pictures
    • Home of a Ramblin' Band (Allman Brothers Band Big House Museum)
    • Journey - That Time Forgot
    • KISS - Elder Statesmen, Elder Statement?
    • Phil Lynott - Remembering Pt. 3
    • Freddie Mercury - The Days of His Life
    • Gary Moore - Last Exit
    • Mott - Without any of the Hoople-la
    • Muirsical Six of the Best
    • Music Town: A Decade of the Darvel Music Festival
    • Pat Travers - The Forgotten Power Trio
    • Playing Tribute
    • Gerry Rafferty - Humblebum to Multi-Million Seller
    • Cliff Richard - The Rock and Roll Juvenile
    • Slade - Thanks For the Memories
    • The Sweet - A Cut Above the Rest
    • Talon - On Eagles Wings
    • Wild Horses - Thoroughbreds or also-rans?
  • A Personal Journey: Definitive Edition (eBook)
  • Steve Perry (vocalist): One in a Million (eBook)
  • A Writer's Muirsings...
    • A Writer's Muirsings: Introduction
    • Superbowl XLVII MVP: Beyoncé (February 2013)
    • Michael Jackson: The Alternative Verdict (Nov 2011)
    • True Colours (November 2010)
    • It's a New Language, Old Bean (October 2010)
    • Finger Pointing (July 2010)
    • Suffer the Little Children (April 2010)
    • Hey 'Banker', can you spare a dime? (February 2010)
  • Author Bio & Site Info
  • Contact FabricationsHQ
Lighting tricks, musical treats
Opeth - SWG3 Galvanizers, Glasgow, 31st October 2019
Picture
Opeth returned to Glasgow on Halloween night with a tour promoting their new (and thirteenth) album In Cauda Venenum (a Latin phrase which roughly translates as "unwanted surprise at the end").

For the uninitiated, Opeth is a Swedish band formed in 1989 that are generally referred to as progressive metal. Although the band has had several personnel changes, ever-present Mikael 
Åkerfeldt has been the lead singer/ guitarist/ front man and driving force of the band since 1992.

Opeth’s music draws on many diverse influences including progressive rock, folk, blues, jazz and death metal (there are not many bands which include a light acoustic guitar section followed by a full-on metal assault with death growls in one song).
There is also a clear influence of early prog-rock with the use of mellotrons and ornate keyboard parts.
 
An increasing feature of Opeth live shows is the attention to detail of the stage set and lighting effects, something that was very much to the fore at the SWG3 Galvanizers venue.
​
Galvanizers is a new-ish part of the SWG3 complex and a veritable barn of a place with a potential standing audience of 1250.
That Opeth had sold it out tells you that 1) there is clearly a hard-core following for Opeth (some of whom had travelled a fair distance for this gig) and 2) are a band vying for promotion to the premier arena league of progressive metal.
 
Opening act, Icelandic trio The Vintage Caravan, were far better than their frankly awful moniker would suggest.
They were enthusiastic, high-energy and had some strong songs in their set, including the punchy 'Reset' and the blusier, chorus catchy 'On the Run,' both from most recent album, Gateways.
The whole Vintage Caravan vibe is reminiscent of 1972 and given their sound and style that’s not necessarily a bad thing.

The band’s vocalist and guitarist Óskar Logi Ágústsson looked like a star in the making but, as per usual, the sound quality for the support was, to keep it polite, less than optimal.
As this reviewer and many others have said before this happens far too often to be a coincidence and, with increasing gig prices for the bigger bands/ shows, the public are being sonically cheated.

Opeth showcased four songs from In Cauda Venenum with atmospheric opener 'Garden of Earthly Delights' setting the live show scene (Gregorian chants, coupled with some Tangerine Dream/ Pink Floyd type sequencers and a mellotron) as the band walked on stage.

As it does on the album 'Dignity' (which is as far from the Deacon Blue number as you could imagine) then kicked in, as did the extremely impressive and choreographed light show.

It is difficult to convey in words quite how impressive this stage show, built around a massive projection screen and large-scale video screens around the three keyboard/drum/bass risers, actually was.
The simultaneous effect of videos projected on all four of these screens plus other state of the art lighting is a full-scale assault on the senses.
The soundtrack to all of this visual mayhem is highly impressive but also ominous sounding.

Picture
Opeth lead guitarist Fredrik Ã…kesson Deliverance(ing) the goods backed by a visually impressive stage set
Picture
One of the band’s heaviest numbers, 'The Leper Affinity,' was then followed by 'Heart in Hand.'
The latter is probably the best number on the new album and encapsulates Opeth at their best – a menacing opening riff, a strong melody and then a diversion into another riff before driving towards a guitar solo in epic fashion. There is so much packed into this song that it stands repeated listens.
There is also, of course, the Opeth staple of the breakdown to an acoustic section (a gorgeous melody in its own right) before the number drifted to its sonorous end.
Great stuff, and all accompanied by fantastic lighting and video projection.


​The Glasgow crowd were fully on-side by now with the mosh-pit/wall of death breaking out down the front
(an unusual, curious and humorous sight when the acoustic sections are being played).
 
The fans are then delighted to hear an older number 'Reverie/Harlequin Forest' from 2005 album Ghost Reveries.
At a little over eleven minutes, there is no respite from the visual and sonic assault but the level of intensity is admirable; this older number also ticks all the boxes of riffing/ death growls/ acoustic interludes.


Some respite is offered however with 'Nepenthe' from the Heritage album; it's a song that amply illustrates some of the band’s jazz and folk influences.
A special mention here for lead guitarist Fredrik 
Åkesson; not only is he an extremely good player he also knows when to take a back-seat, never over-staying his welcome in the solo sections.
 
Opeth continued to deliver a few other, older, crowd-pleasers before ending their main set with the closing number from In Cauda Venenum, 'All Things Will Pass,' all of which received a great reception.
Encore numbers, crowd and fan favourites 'Sorceress' and 'Deliverance,' were played with ferocity and lapped up by the Glasgow audience.

There’s no doubting the musicality of this band but the only lightness to the over-bearing shade is the charm of Mikael   
Åkerfeldt's banter with the audience.
And if I had to be critical it’s that Opeth’s compositions, even live, are a bit of a one trick pony (there are only so many times you can listen to portentous riffing and a death growl here and there before dropping to the whimsical folk section and then back to the brutal riffs).

Overall however this was a very enjoyable gig from a band who are actually more than a five-piece live, because you have to include the stage lighting engineers’ responsible for the videos and lighting effects.
 
On this form, and with In Cauda Venenum, Opeth are on a roll and could well be heading, in their own fleet of Opeth trucks, for your local enormo-drome next time around as they look to establish themselves in that aforementioned premier arena league of album and performance bands.

Nelson McFarlane
FabricationsHQ

Website and text contents © FabricationsHQ and Ross Muir
All Rights Reserved