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  • 2025 Featured Album Reviews >
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    • Rick Wakeman - Live at the London Palladium 2023
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    • Thunder - Live At Islington Academy 2006; Live At Leeds 2015
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  • 2024 Featured Album Reviews>
    • Austin Gold - Ain't No Saint
    • Cats In Space - Time Machine
    • The Outlaw Orchestra - La Familia
    • Mojo Thunder - The Infinite Hope
    • Beth Hart - You Still Got Me
    • Eclipse - Megalomanium II
    • Al Stewart - Past, Present & Future (50th Anniversary Edition)
    • Kenny Wayne Shepherd - Dirt On My Diamonds Volume 2
    • Scalet Rebels - Where The Colours Meet
    • Robert Jon & The Wreck - Red Moon Rising
    • Elles Bailey - Beneath the Neon Glow
    • Jon Anderson & The Band Geeks - True
    • The Commoners - Restless
    • Brave Rival (Fight Or Flight)
    • Al Di Meola - Twentyfour
    • Focus - Focus 12
    • Big Wolf Band - Rebel's Journey
    • Robin Trower - Bridge Of Sighs (50th Anniversary Edition)
    • Vanden Plas - The Empyrean Equation of the Long Lost Things
    • Troy Redfern - Invocation
    • Amigo The Devil - Yours Until The War Is Over
    • Preacher Stone - V
    • Bison Hip - Welcome To The Rest Of Your Life
    • Waysted - Won't Get Out Alive 1983-1986
    • SiX BY SiX - Beyond Shadowland
    • Dan Patlansky - Movin' On
    • Jane Getter Premonition - Division World
    • Today Was Yesterday - Today Was Yesterday
    • Steve Hackett - The Circus And The Nightwhale
    • Mama's Boys - Runaway Dreams 1980-1992
  • 2023 Reviews
  • 2023 Featured Album Reviews >
    • Blue Deal - Can't Kill Me Twice
    • THEIA - The Wet Die Young EP
    • The Round Window - Everywhere & Nowhere
    • Long Road Home - Are We Invisble?
    • Dolly Parton - Rockstar
    • Various Artists - Shake That Thing! The Blues In Britain 1963-1973
    • Kenny Wayne Shepherd - Dirt On My Diamonds Vol. 1
    • The Blue Lena - Darkwood
    • LALU - The Fish Who Wanted To Be King
    • Celebrate It Together : The Very Best Of Howard Jones 1983-2023
    • Stray - About Time
    • Skinny Knowledge - twentytwo
    • Robin Trower (featuring Sari Schorr) - Joyful Sky
    • Trevor Rabin - Rio
    • Vega - Battlelines
    • Downes Braide Association - Celestial Songs
    • High Pulp - Days In The Desert
    • Starlite & Campbell - STARLITE.ONE
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    • Extreme - Six
    • Bison Hip - Older Stronger Better
    • Joy Dunlop - Caoir
    • Mike Ross - Third Eye Open
    • Martin MIller - Maze Of My Mind
    • Cruachan - The Living and The Dead
    • King Kraken - MCLXXX
    • Heavy Metal Kids - The Albums 1974-1976
    • Anchor Lane - Call This a Reality?
    • Doomsday Outlaw - Damaged Goods
    • Hayley Griffiths - Far From Here Hayley Griffiths Band - MELANIE
  • 2022 Reviews
  • 2022 Featured Album Reviews >
    • Moon City Masters - The Famous Moon City Masters
    • Steve Hill - Dear Illusion
    • Kira Mac - Chaos is Calling
    • EBB - Mad & Killing Time
    • The Commoners - Find A Better Way
    • Rebecca Downes - The Space Between Us
    • Erja Lyytinen - Waiting For The Daylight
    • Chris Antonik - Morningstar
    • The Milk Men - Spin The Bottle
    • SiX BY SiX - SiX BY SiX
    • Jeff Berlin - Jack Songs
    • Keef Hartley Band - Sinnin' For You The Albums 1969-1973
    • Toby Lee - Icons Vol.1
    • Montrose - I Got The Fire : Complete Recordings 1973-1976
    • Orianthi - Live From Hollywood
    • Valeriy Stepanov Fusion Project - Album No. 2
    • Dan Reed Network - Let's Hear It For The King
    • Ali Ferguson - The Contemplative Power Of Water
    • Edgar Winter - Brother Johnny
    • Joe Satriani - The Elephants Of Mars
    • Dave Cureton - State Of Mind
    • Larry McCray - Blues Without You
    • Tears for Fears - Tipping Point
    • Kris Barras Band - Death Valley Paradise
    • Dan Patlansky - Shelter of Bones
    • Black Lakes - For All We've Left Behind
    • Wille & The Bandits - When The World Stood Still
    • LALU - Paint the Sky
    • Various Artists - Revolt Into Style 1979
  • Selected 2025 Gig Reviews >
    • Erja Lyytinen - Nice N Sleazy, Glasgow
    • Troy Redfern - Backstage, Kinross
  • Selected 2024 Gig Reviews>
    • Silveroller - Backstage, Kinross
    • Dave Arcari - Harbour Arts Centre, Irvine
    • Jack J Hutchinson - Bannermans, Edinburgh
    • Gypsy Pistoleros - Bannermans, Edinburgh
    • Kira Mac - Oran Mor, Glasgow
    • Sari Schorr; Matt Pearce & The Mutiny - Oran Mor, Glasgow
    • Dan Patlansky - Oran Mor, Glasgow
    • The Davey Pattison Band - Backstage, Kinross
    • Verity/Bromham Band - Backstage, Kinross
    • Moving Pictures - Venue 38, Ayr
    • The Countess Of Fife - Harbour Arts Centre, Irvine
    • Connor Selby - Backstage at the Green, Kinross
    • Rebecca Downes - Backstage, Kinross
  • Selected 2023 Gig Reviews >
    • Ben Poole - The Ferry, Glasgow
    • Moving Pictures - The Garage, Glasgow
    • Hamish Stuart & James Bown Is Annie; Hamilton Loomis - Darvel Music Festival
    • Amigo The Devil - The Classic Grand, Glasgow
    • Davey Pattison Blues Band - DreadnoughtRock, Bathgate
    • Joe Satriani - O2 Academy, Glasgow
    • Walter Trout - Oran Mor, Glasgow
    • Dan Patlansky - Stereo, Glasgow
    • Sari Schorr - The Classic Grand, Glasgow
    • Focus - The Ferry, Glasgow
    • Elles Bailey - The Caves, Edinburgh
    • The Blackheart Orchestra - Hotel Utopia UK tour
    • The Wilson Brothers - Backstage at the Green, Kinross
  • Selected 2022 Gig Reviews >
    • WinterStorm Rock Weekender - Troon
    • Jack J Hutchinson - Bannermans, Edinburgh
    • Paul McCartney - Pyramid Stage, Glastonbury 2022
    • Daryl Hall - Ryman Auditorium, Nashville
    • Joe Bonamassa - SEC Armadillo, Glasgow
    • Dan Patlansky - Oran Mor, Glasgow
    • Eric Gales - Oran Mor, Glasgow
  • Muirsical Conversations 2025>
    • Sandi Thom (February 2025)
  • Muirsical Conversations 2024>
    • Mississippi MacDonald (December 2024)
    • Walter Trout (October 2024)
    • Albert Bouchard (August 2024)
    • Robert Berry - August 2024
    • Troy Redfern (May 2024)
    • Dan Patlansky (March 2024)
    • Connor Selby (February 2024)
  • Muirsical Conversations 2023>
    • Del Bromham (November 2023)
    • Sari Schorr (October 2023)
    • Suzy Starlite & Simon Campbell (September 2023)
    • Ali Ferguson (August 2023)
    • Leoni Jane Kennedy (August 2023)
    • Joy Dunlop (May 2023)
    • Dan Patlansky - April 2023
    • Hayley Griffiths (February 2023)
    • Steve Hill (January 2023)
  • Muirsical Conversations 2022>
    • Rebecca Downes (December 2022)
    • Chris Antonik (November 2022)
    • Pat Travers (October 2022)
    • Robert Berry (August 2022)
    • JW-Jones (August 2022)
    • Mike Ross (July 2022)
  • Selected Muirsical Conversations From The Archive>
    • Bernie Marsden (December 2021)
    • Robin George (November 2021)
    • Dennis DeYoung (June 2021)
    • Robert Berry (March 2021)
    • Dan Reed (February 2021)
    • Steve Hackett (January 2021)
    • John Verity (September 2020)
    • Steve Hackett (July 2020)
    • Gary Moat (March 2020)
    • Steve Hackett (October 2019)
    • Rebecca Downes (May 2019)
    • Ben Poole & Wayne Proctor (January 2019)
    • Dan Reed (November 2018)
    • Del Bromham (October 2018)
    • Brian Downey (September 2018)
    • Raintown - Paul Bain & Claire McArthur Bain (May 2018)
    • Hamilton Loomis (December 2017)
    • Alan Nimmo (October 2017)
    • Erja Lyytinen (September 2017)
    • Suzi Quatro (September 2017)
    • Biff Byford (August 2017)
    • Dan Patlansky (June 2017)
    • Graham Bonnet (May 2017)
    • Simon Thacker (April 2017)
    • Sari Schorr (March 2017)
    • Stevie Nimmo (February 2017)
    • Dan Reed (February 2017)
    • Adam Norsworthy (January 2017)
    • Colin James (December 2016)
    • John Lees (October 2016)
    • Sari Schorr (August 2016)
    • Mike Vernon (August 2016)
    • Wayne Proctor (July 2016)
    • Laurence Jones (April 2016)
    • Chantel McGregor (March 2016)
    • John Young (January 2016)
    • Michael Schenker (November 2015)
    • Martin Barre (October 2015)
    • Chris Norman (September 2015)
    • Joanne Shaw Taylor (August 2015)
    • Fee Waybill (July 2015)
    • Ian Anderson (June 2015)
    • John Lodge (June 2015)
    • John Lawton (May 2015)
    • Steve Hackett (May 2015)
    • Manny Charlton (April 2015)
    • Ben Poole (April 2015)
    • Alan Nimmo (February 2015)
    • Popa Chubby (December 2014)
    • Paul Young (July 2014)
    • Bernie Shaw (June 2014)
    • Lee Kerslake (December 2013)
    • Pat Travers (September 2013)
    • Steve Hunter (August 2013)
    • Joy Dunlop (March 2013)
    • Gwyn Ashton (Dec. 2012)
    • Greg Lake (October 2012)
    • Ned Evett (August 2012)
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    • Amy Schugar (Feb. 2012)
    • Robert Fleischman (November 2011)
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    • Michael Sadler (June 2011)
    • James Evans (April 2011)
    • Alyn Cosker (Nov. 2010)
    • Scott Higham (Nov. 2010)
    • Kevin Chalfant (Oct. 2010)
    • Francis Dunnery (Sep. 2010)
    • Duncan Chisholm (Aug 2010)
  • Muirsical Articles >
    • 2019AB?
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    • The Fool Guitar - The Fool Story
    • Alex Harvey - Framed in Words. And pictures
    • Home of a Ramblin' Band (Allman Brothers Band Big House Museum)
    • Journey - That Time Forgot
    • Laser Love - Blue Oyster Cult Glasgow Apollo 29-04-78
    • Phil Lynott - Remembering Pt. 3
    • Freddie Mercury - The Days of His Life
    • Gary Moore - Last Exit
    • Mott - Without any of the Hoople-la
    • Muirsical Six of the Best
    • Music Town: A Decade of the Darvel Music Festival
    • Pat Travers - The Forgotten Power Trio
    • Playing Tribute
    • Preaching to the Glasgow Choir Slade 26-03-1982
    • Gerry Rafferty - Humblebum to Multi-Million Seller
    • Cliff Richard - The Rock and Roll Juvenile
    • Slade - Thanks For the Memories
    • The Sweet - A Cut Above the Rest
    • Talon - On Eagles Wings
    • Wild Horses - Thoroughbreds or also-rans?
  • A Personal Journey: Definitive Edition (eBook)
  • Steve Perry (vocalist): One in a Million (eBook)
  • A Writer's Muirsings >
    • Superbowl XLVII MVP: Beyoncé (February 2013)
    • Michael Jackson: The Alternative Verdict (Nov 2011)
    • True Colours (November 2010)
    • It's a New Language, Old Bean (October 2010)
    • Finger Pointing (July 2010)
    • Suffer the Little Children (April 2010)
    • Hey 'Banker', can you spare a dime? (February 2010)
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Extreme - Six
Picture
"Highly anticipated" is well worn promotional cliché but in some cases it’s merited.
​
Extreme, five studio albums down across a three-and-a-half decades career (less an extended hiatus and a smattering of solo album/ band project endeavours from the flexibly voiced Gary Cherone and deft-fingered dexterity of brilliant guitarist Nuno Bettencourt) have, fifteen years on from Saudades De Rock, delivered the quite-a-few-years-in-the-making, appropriately titled and, yes, highly anticipated, Six.

That anticipation comes from the long, no new album lay-off (absence makes the heart rock fonder) and the band’s previous, although that previous primarily relates to Extreme's outstanding, highly impacting and hugely successful second album Pornograffitti (1990).

Follow-up III Sides to Every Story made #10 in the Billboard charts (as did Pornograffitti) but didn’t reach the platinum heights of its predecessor (a critically acclaimed fan favourite, the un-blinkered reality is III Sides is an overly-long and overly diverse concept album that carries some responsibility for the ensuing diminishing (chart) returns.
Waiting For The Punchline didn’t separate itself from the mid-90s rock-metal pack, while 2008’s post-hiatus reunion Saudades De Rock was more about trying to re-establish the band’s identity and finding a place in 21st century rock.

And so to Six, which sees Cherone, Bettencourt, bassist Pat Badger and drummer Kevin Figueiredo (who has been with the band since 2007) mixing a highly contemporary, almost alt-rock sound with classic rock and a couple of lighter acoustic/AOR moments (it wouldn’t be an Extreme album without them).
There are also a couple of hiccups along the way however, including one serious misfire.

'Rise,' on a razor sharp beat and simple but incessant riff, states the case for Extreme shaking off the shadow of Pornograffitti.
The song snaps and snarls its way across four-and-a half minutes of contemporary hard rock, bolstered by an indie-pop influenced chorus and an insanely wicked solo from Nuno Bettencourt that sets a new bar.
(Such was the solo's impact when first heard every rock fan and muso was talking about it, including Youtube personality, musician and music educator Rick Beato).

'#Rebel' is as muscly as the opener but with a rock-metal boogie driving it along; a dark and sinister middle 8 adds further interest. It’s also worth noting the little nod to Eddie Van Halen on a Bettencourt interjected lick.
(The loss of EVH hit Bettencourt hard and there’s a clearly intentional nod or two on Six to his innovative brilliance).

Talking of the late and great EVH, 'Banshee' is closer to classic Extreme (signature riff, quick-fire harmony interjections, a little touch of funk) but in truth comes across more like a song that didn’t quite make the cut for a Van Halen album.

'Other Side of the Rainbow,' with Nuno Bettencourt on 12 string steel acoustic, is the melodic AOR rock moment of the album; as such works as a lovely counterpoint to what has come before.
Keeping to the lighter side of the band is 'Small Town Beautiful,' an acoustic based down-tempo that is all about the harmony created (musically and vocally) by Messrs Cherone & Bettencourt.

'The Mask' is a slice of contemporary alt-rock shuffle 'n' roll that has Nuno Bettencourt sounding like Iggy Pop on the verses (perfect for the vibe of the song) before Gary Cherone kicks in on the edgier chorus ("rip off your mask and show me who you are!").
'Thicker Than Blood' continues with the surprises, being a gritty number that owes much to Industrial Techno Metal (it also delivers Bettencourt’s most stylistic solo of the album).

'Save Me' is straight from the detuned semi-distorted grunge of the 90s and as such would sit comfortably on an Extreme album of that era - but given the diversity of Six it actually works well here.  
That musical contrast is highlighted to full effect by following 'Save Me' with 'Hurricane,' a Gary Cherone & Nuno Bettencourt vocal harmonies and acoustic piece with a lyric on melancholic reflection ("Do I accept this as the end? Memories hanging by a thread… you're calling out my name").

'X Out' is the Techno-prog partner to 'Thicker Than Blood' (synths and keys have added to the layers Six has to offer); its darker lyric (losing faith, hope and love to depression) is coupled with brooding rhythmic cadences and interesting vocal progressions.

While 'Hurricane' worked well as the lighter contrast to such darker musical turns, 'Beautiful Girls,' with its faux calypso/ reggae arrangement, most certainly doesn’t (even Nuno Bettencourt’s short Brian May-esque solo can’t save it).
The fact it immediately reminds of Peter Andre’s 'Mysterious Girl' is about as damning as it gets.

The album closes out on 'Here’s to the Losers,' an acoustic backed and slow-build ode to those that at least "took another swing" with a follow-on plea to keep your chin up.
Lyrically it’s a fine sentiment but musically the song never gets out of second gear; it therefore, somewhat ironically, loses the chance to be a strong closer (nor does the faded back in crowd singalong of the chorus at the ‘hidden end’ help matters).

There is no question Six starts far better than it ends ('Here’s to the Losers' is pretty forgettable; 'Beautiful Girls' is pretty much unforgiveable) but there are some absolutely monster songs here and a couple of left turns that seriously impress.

It is, in every way, an album of Extremes.

Ross Muir
FabricationsHQ
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