FabricationsHQ - Putting the Words to the Music
  • Muirsical Thoughts, Muirsical News Last update: May 14th
  • Latest Articles (links)
  • Bill Nelson - Quit Dreaming And Get On The Beam (Deluxe Edition)
  • Ned Evett (May 2025)
  • Gypsy Pistoleros and The Outlaw Orchestra - DreadnoughtRock, Bathgate
  • Don Airey - Pushed to the Edge
  • Dean Owens - Spirit Ridge
  • Gypsy Pistoleros - Church Of The Pistoleros
  • Simon McBride - Recordings 2020-2025
  • Félix Rabin - Blue Days EP
  • 2025 Reviews>
    • Dim Gray - Shards
    • Steve Hackett - Live Magic At Trading Boundaries
    • James O'Hurley - A Certain Stranger
    • Mud - The Rak Years 1973-75
    • Thorbjørn Risager & The Black Tornado - House Of Sticks
  • 2025 Featured Album Reviews >
    • Erja Lyytinen - Smell The Roses
    • The Damn Truth - The Damn Truth
    • The Adventures - Once More With Feeling
    • Jon Anderson & The Band Geeks - Live Perpetual Change
    • Jason Bieler & The Baron Von Bielski Orchestra - The Escapologist
    • Black Eyed Sons - Cowboys In Pinstriped Suits
    • Dream Theater - Parasomnia
    • Jethro Tull - Curious Ruminant
  • 2024 Reviews >
    • Robert Fleischman - Emotional Atlas
    • Lazarus Heights - Papillon
    • Toby Lee - House On Fire
    • Innes Sibun - The Preacher
    • Ned Evett - Strange Kind Of Freedom
    • DeWolff - Muscle Shoals
    • The Southern River Band - D.I.Y
    • MYPD - Basssik
    • Toby and the Whole Truth - Look Out! Vol.1
    • Blue Nation - The Ordinary People
    • The Round Window - Fram EP
    • Mike Ross - Electric Smoke
    • Mississippi MacDonald - I Got What You Need
    • The Dictators - The Dictators
    • Matt Steady - Flight Of The Raven
    • Various Artists - Tributes : Songs For Neil Vol 5
    • The Sheepdogs - Paradise Alone EP
    • Then Comes Silence - Trickery
    • Caitlin Krisko & The Broadcast - Blueprints EP
    • Deep Purple =1
    • Arielle - Reel To Real
    • Raintown - Acoustic Heart
    • Ivan Drever - Covered
    • Rich Young - Prozac Diary
    • The Dave Foster Band - Maybe They'll Come Back For Us
    • Mr. Big - Ten
    • Jill Jackson - Curse Of The Damned
    • Daryl Hall - D
    • John Oates - Reunion
    • Gagarin - Komorebi
    • Paul Mallatratt - The Planets; Screaming Thru Heartache
    • Quinn Sullivan - Salvation
    • Edit The Tide - Reflections In Sound EP
    • Attic Theory - What We Fear The Most
    • Stone Angels - Up In Smoke
    • Ramblin' Preachers - Sins & Virtues
    • The Treatment - Wake Up The Neighbourhood
    • Ben Hemming - Darkness Before Dawn
    • The Now - Too Hot To Handle
    • Kelowna - Better Day EP
    • Tom Killner - Borrowed Time
    • Beaux Gris Gris And The Apocalypse - Hot Nostalgia Radio
    • The Milk Men - Holy Cow!
    • The Toy Dolls - The Singles
    • Turbulence - B1nary Dream
    • It Bites FD - Return To Natural
    • Blue Öyster Cult - Ghost Stories
    • Hawkwind - Stories From Time And Space
    • These Wicked Rivers - Force Of Nature
    • Alice Di Micele - Interpretations Vol 1
    • Walter Trout - Broken
    • Silveroller - At Dawn EP
    • Jack J Hutchinson - Battles
    • Little Lore - Seven Stories EP (Part One & Part Two)
    • Elles Bailey - The Night Owl & The Lark EP
    • Blue Nation - Reflections EP
    • Rick Wakeman - Live at the London Palladium 2023
    • Chris Wragg and Greg Copeland - The Last Sundown
    • Sons Of Liberty - The Detail Is In The Devil
    • EBB - The Management Of Consequences EP
    • Thunder - Live At Islington Academy 2006; Live At Leeds 2015
    • Robby Krieger And The Soul Savages
  • 2024 Featured Album Reviews>
    • Austin Gold - Ain't No Saint
    • Cats In Space - Time Machine
    • The Outlaw Orchestra - La Familia
    • Mojo Thunder - The Infinite Hope
    • Beth Hart - You Still Got Me
    • Eclipse - Megalomanium II
    • Al Stewart - Past, Present & Future (50th Anniversary Edition)
    • Kenny Wayne Shepherd - Dirt On My Diamonds Volume 2
    • Scalet Rebels - Where The Colours Meet
    • Robert Jon & The Wreck - Red Moon Rising
    • Elles Bailey - Beneath the Neon Glow
    • Jon Anderson & The Band Geeks - True
    • The Commoners - Restless
    • Brave Rival (Fight Or Flight)
    • Al Di Meola - Twentyfour
    • Focus - Focus 12
    • Big Wolf Band - Rebel's Journey
    • Robin Trower - Bridge Of Sighs (50th Anniversary Edition)
    • Vanden Plas - The Empyrean Equation of the Long Lost Things
    • Troy Redfern - Invocation
    • Amigo The Devil - Yours Until The War Is Over
    • Preacher Stone - V
    • Bison Hip - Welcome To The Rest Of Your Life
    • Waysted - Won't Get Out Alive 1983-1986
    • SiX BY SiX - Beyond Shadowland
    • Dan Patlansky - Movin' On
    • Jane Getter Premonition - Division World
    • Today Was Yesterday - Today Was Yesterday
    • Steve Hackett - The Circus And The Nightwhale
    • Mama's Boys - Runaway Dreams 1980-1992
  • 2023 Reviews
  • 2023 Featured Album Reviews >
    • Blue Deal - Can't Kill Me Twice
    • THEIA - The Wet Die Young EP
    • The Round Window - Everywhere & Nowhere
    • Long Road Home - Are We Invisble?
    • Dolly Parton - Rockstar
    • Various Artists - Shake That Thing! The Blues In Britain 1963-1973
    • Kenny Wayne Shepherd - Dirt On My Diamonds Vol. 1
    • The Blue Lena - Darkwood
    • LALU - The Fish Who Wanted To Be King
    • Celebrate It Together : The Very Best Of Howard Jones 1983-2023
    • Stray - About Time
    • Skinny Knowledge - twentytwo
    • Robin Trower (featuring Sari Schorr) - Joyful Sky
    • Trevor Rabin - Rio
    • Vega - Battlelines
    • Downes Braide Association - Celestial Songs
    • High Pulp - Days In The Desert
    • Starlite & Campbell - STARLITE.ONE
    • Matteo Mancuso - The Journey
    • Oli Brown & The Dead Collective - Prelude & Prologue EPs
    • Extreme - Six
    • Bison Hip - Older Stronger Better
    • Joy Dunlop - Caoir
    • Mike Ross - Third Eye Open
    • Martin MIller - Maze Of My Mind
    • Cruachan - The Living and The Dead
    • King Kraken - MCLXXX
    • Heavy Metal Kids - The Albums 1974-1976
    • Anchor Lane - Call This a Reality?
    • Doomsday Outlaw - Damaged Goods
    • Hayley Griffiths - Far From Here Hayley Griffiths Band - MELANIE
  • 2022 Reviews
  • 2022 Featured Album Reviews >
    • Moon City Masters - The Famous Moon City Masters
    • Steve Hill - Dear Illusion
    • Kira Mac - Chaos is Calling
    • EBB - Mad & Killing Time
    • The Commoners - Find A Better Way
    • Rebecca Downes - The Space Between Us
    • Erja Lyytinen - Waiting For The Daylight
    • Chris Antonik - Morningstar
    • The Milk Men - Spin The Bottle
    • SiX BY SiX - SiX BY SiX
    • Jeff Berlin - Jack Songs
    • Keef Hartley Band - Sinnin' For You The Albums 1969-1973
    • Toby Lee - Icons Vol.1
    • Montrose - I Got The Fire : Complete Recordings 1973-1976
    • Orianthi - Live From Hollywood
    • Valeriy Stepanov Fusion Project - Album No. 2
    • Dan Reed Network - Let's Hear It For The King
    • Ali Ferguson - The Contemplative Power Of Water
    • Edgar Winter - Brother Johnny
    • Joe Satriani - The Elephants Of Mars
    • Dave Cureton - State Of Mind
    • Larry McCray - Blues Without You
    • Tears for Fears - Tipping Point
    • Kris Barras Band - Death Valley Paradise
    • Dan Patlansky - Shelter of Bones
    • Black Lakes - For All We've Left Behind
    • Wille & The Bandits - When The World Stood Still
    • LALU - Paint the Sky
    • Various Artists - Revolt Into Style 1979
  • Selected 2025 Gig Reviews >
    • Erja Lyytinen - Nice N Sleazy, Glasgow
    • Troy Redfern - Backstage, Kinross
  • Selected 2024 Gig Reviews>
    • Silveroller - Backstage, Kinross
    • Dave Arcari - Harbour Arts Centre, Irvine
    • Jack J Hutchinson - Bannermans, Edinburgh
    • Gypsy Pistoleros - Bannermans, Edinburgh
    • Kira Mac - Oran Mor, Glasgow
    • Sari Schorr; Matt Pearce & The Mutiny - Oran Mor, Glasgow
    • Dan Patlansky - Oran Mor, Glasgow
    • The Davey Pattison Band - Backstage, Kinross
    • Verity/Bromham Band - Backstage, Kinross
    • Moving Pictures - Venue 38, Ayr
    • The Countess Of Fife - Harbour Arts Centre, Irvine
    • Connor Selby - Backstage at the Green, Kinross
    • Rebecca Downes - Backstage, Kinross
  • Selected 2023 Gig Reviews >
    • Ben Poole - The Ferry, Glasgow
    • Moving Pictures - The Garage, Glasgow
    • Hamish Stuart & James Bown Is Annie; Hamilton Loomis - Darvel Music Festival
    • Amigo The Devil - The Classic Grand, Glasgow
    • Davey Pattison Blues Band - DreadnoughtRock, Bathgate
    • Joe Satriani - O2 Academy, Glasgow
    • Walter Trout - Oran Mor, Glasgow
    • Dan Patlansky - Stereo, Glasgow
    • Sari Schorr - The Classic Grand, Glasgow
    • Focus - The Ferry, Glasgow
    • Elles Bailey - The Caves, Edinburgh
    • The Blackheart Orchestra - Hotel Utopia UK tour
    • The Wilson Brothers - Backstage at the Green, Kinross
  • Selected 2022 Gig Reviews >
    • WinterStorm Rock Weekender - Troon
    • Jack J Hutchinson - Bannermans, Edinburgh
    • Paul McCartney - Pyramid Stage, Glastonbury 2022
    • Daryl Hall - Ryman Auditorium, Nashville
    • Joe Bonamassa - SEC Armadillo, Glasgow
    • Dan Patlansky - Oran Mor, Glasgow
    • Eric Gales - Oran Mor, Glasgow
  • Muirsical Conversations 2025>
    • Sandi Thom (February 2025)
  • Muirsical Conversations 2024>
    • Mississippi MacDonald (December 2024)
    • Walter Trout (October 2024)
    • Albert Bouchard (August 2024)
    • Robert Berry - August 2024
    • Troy Redfern (May 2024)
    • Dan Patlansky (March 2024)
    • Connor Selby (February 2024)
  • Muirsical Conversations 2023>
    • Del Bromham (November 2023)
    • Sari Schorr (October 2023)
    • Suzy Starlite & Simon Campbell (September 2023)
    • Ali Ferguson (August 2023)
    • Leoni Jane Kennedy (August 2023)
    • Joy Dunlop (May 2023)
    • Dan Patlansky - April 2023
    • Hayley Griffiths (February 2023)
    • Steve Hill (January 2023)
  • Muirsical Conversations 2022>
    • Rebecca Downes (December 2022)
    • Chris Antonik (November 2022)
    • Pat Travers (October 2022)
    • Robert Berry (August 2022)
    • JW-Jones (August 2022)
    • Mike Ross (July 2022)
  • Selected Muirsical Conversations From The Archive>
    • Bernie Marsden (December 2021)
    • Robin George (November 2021)
    • Dennis DeYoung (June 2021)
    • Robert Berry (March 2021)
    • Dan Reed (February 2021)
    • Steve Hackett (January 2021)
    • John Verity (September 2020)
    • Steve Hackett (July 2020)
    • Gary Moat (March 2020)
    • Steve Hackett (October 2019)
    • Rebecca Downes (May 2019)
    • Ben Poole & Wayne Proctor (January 2019)
    • Dan Reed (November 2018)
    • Del Bromham (October 2018)
    • Brian Downey (September 2018)
    • Raintown - Paul Bain & Claire McArthur Bain (May 2018)
    • Hamilton Loomis (December 2017)
    • Alan Nimmo (October 2017)
    • Erja Lyytinen (September 2017)
    • Suzi Quatro (September 2017)
    • Biff Byford (August 2017)
    • Dan Patlansky (June 2017)
    • Graham Bonnet (May 2017)
    • Simon Thacker (April 2017)
    • Sari Schorr (March 2017)
    • Stevie Nimmo (February 2017)
    • Dan Reed (February 2017)
    • Adam Norsworthy (January 2017)
    • Colin James (December 2016)
    • John Lees (October 2016)
    • Sari Schorr (August 2016)
    • Mike Vernon (August 2016)
    • Wayne Proctor (July 2016)
    • Laurence Jones (April 2016)
    • Chantel McGregor (March 2016)
    • John Young (January 2016)
    • Michael Schenker (November 2015)
    • Martin Barre (October 2015)
    • Chris Norman (September 2015)
    • Joanne Shaw Taylor (August 2015)
    • Fee Waybill (July 2015)
    • Ian Anderson (June 2015)
    • John Lodge (June 2015)
    • John Lawton (May 2015)
    • Steve Hackett (May 2015)
    • Manny Charlton (April 2015)
    • Ben Poole (April 2015)
    • Alan Nimmo (February 2015)
    • Popa Chubby (December 2014)
    • Paul Young (July 2014)
    • Bernie Shaw (June 2014)
    • Lee Kerslake (December 2013)
    • Pat Travers (September 2013)
    • Steve Hunter (August 2013)
    • Joy Dunlop (March 2013)
    • Gwyn Ashton (Dec. 2012)
    • Greg Lake (October 2012)
    • Ned Evett (August 2012)
    • Steven Lindsay (July 2012)
    • Dave Cureton (June 2012)
    • Jon Anderson (May 2012)
    • Jeremey Frederick Hunsicker (March 2012)
    • Amy Schugar (Feb. 2012)
    • Robert Fleischman (November 2011)
    • Ivan Drever (Sep. 2011)
    • Michael Sadler (June 2011)
    • James Evans (April 2011)
    • Alyn Cosker (Nov. 2010)
    • Scott Higham (Nov. 2010)
    • Kevin Chalfant (Oct. 2010)
    • Francis Dunnery (Sep. 2010)
    • Duncan Chisholm (Aug 2010)
  • Muirsical Articles >
    • 2019AB?
    • All the World's a Stage (and people falling off it) – 2015 in Review
    • The Fool Guitar - The Fool Story
    • Alex Harvey - Framed in Words. And pictures
    • Home of a Ramblin' Band (Allman Brothers Band Big House Museum)
    • Journey - That Time Forgot
    • Laser Love - Blue Oyster Cult Glasgow Apollo 29-04-78
    • Phil Lynott - Remembering Pt. 3
    • Freddie Mercury - The Days of His Life
    • Gary Moore - Last Exit
    • Mott - Without any of the Hoople-la
    • Muirsical Six of the Best
    • Music Town: A Decade of the Darvel Music Festival
    • Pat Travers - The Forgotten Power Trio
    • Playing Tribute
    • Preaching to the Glasgow Choir Slade 26-03-1982
    • Gerry Rafferty - Humblebum to Multi-Million Seller
    • Cliff Richard - The Rock and Roll Juvenile
    • Slade - Thanks For the Memories
    • The Sweet - A Cut Above the Rest
    • Talon - On Eagles Wings
    • Wild Horses - Thoroughbreds or also-rans?
  • A Personal Journey: Definitive Edition (eBook)
  • Steve Perry (vocalist): One in a Million (eBook)
  • A Writer's Muirsings >
    • Superbowl XLVII MVP: Beyoncé (February 2013)
    • Michael Jackson: The Alternative Verdict (Nov 2011)
    • True Colours (November 2010)
    • It's a New Language, Old Bean (October 2010)
    • Finger Pointing (July 2010)
    • Suffer the Little Children (April 2010)
    • Hey 'Banker', can you spare a dime? (February 2010)
  • Author Bio & Site Info
  • Contact FabricationsHQ
Remembering Part 3
Phil Lynott (1949 - 1986)


I’m not the only music reviewer putting keyboard to electronic paper in the month of January in the year of 2011, not by a long way, and for a specific reason.

January 4th 2011 marked the twenty-fifth anniversary of the death of one of the most charismatic musicians and vocalists ever to step on to a stage.
And one of rock music’s true greats.
Hence this Remembering.

But why 'Part 3?'
Well, primarily because Parts 1 & 2 have already been written.
Forty years ago… 

Remembering Part 2 - Thin Lizzy (1971)
Philip Parris Lynott was only 36 when he died, but for some fourteen years he was a pivotal and creative part of Thin Lizzy, the famous group he co-founded and fronted until their 1983 split.
Their classic back catalogue and musical legacy was always destined to last beyond his life, has been embraced by a new generation of listeners and continues to be championed by countless fans around the world.
Thin Lizzy’s music is still performed by a number of solid tribute acts and, since 1996, by the touring band carrying the name.

Lynott’s musical career began in and around the Dublin area in the mid-‘60s, when he became singer with the Black Eagles. Drummer Brian Downey, previously of the Liffey Beats, joined the band but they broke up after only a short time together.
Lynott then joined Kama Sutra before singing, albeit briefly, in Skid Row, a band led by Brush Shiels. Skid Row would go on to feature a young guitarist by the name of Gary Moore and released a couple of albums on CBS after Lynott’s departure, with Shiels taking lead vocals.

Interestingly, it was Shiels who taught Lynott how to play bass and Lynott would develop into an accomplished but under-rated four-stringer, with a distinct punchy, driven style that would define so much of his later material.
Lynott then hooked up for a second time with Brian Downey when they formed a new band, Orphanage.

In 1969 Lynott and Downey’s career took what would become an upward and hugely successful turn, although that success was still a few years away.
Downey and Lynott quit Orphanage to form Thin Lizzy with guitarist Eric Bell and keyboard player Eric Wrixon.
An interesting aside is in 1964 Wrixon had been a founder member of Them, featuring Van Morrison, and Bell played in what became the last incarnation of the band to feature Morrison in 1966.

In 1970 Wrixon departed shortly before Thin Lizzy’s first single was released (a resounding flop). The band continued as a trio and relocated to London.
They released three albums that met with little commercial success but got them noticed. The albums, for the most part, featured interesting and eclectic material that included rock, Celtic-folk and the occasional spoken word narrative.

Early in 1973 chart success finally came along in the form of a non-album track.
Their cover of the traditional Irish ballad ‘Whiskey in the Jar’ was a hit in the UK, Ireland and parts of Europe.
But in terms of making their musical mark in rock history the seeds weren’t sown until the classic Lizzy line-up was put together over a year later with the arrival of two virtually unknown guitarists...

When Bell quit Thin Lizzy at the end of 1973 Gary Moore worked with the band for  four months, but it wasn't until a young Scot by the name of Brian Robertson and a Californian called Scott Gorham joined in 1974 that Lizzy’s place in rock history was secured.
Lizzy's famous four-piece were hardly an overnight success 
– their first album together was a lightweight affair that failed to chart.
But by 1975, and until 1979 (with Gary Moore replacing Robertson in 1978), Lizzy could do no wrong.
Blistering support slots followed by hot-ticket headlining tours on both sides of the pond. A string of successful and critically acclaimed albums including Johnny the Fox and Live and Dangerous. Hit single after hit single. Thin Lizzy developed into one of the tightest, high-energy and best-ever live acts rock music ever saw or heard.

Lynott revelled in the success and, after the struggles and disappointments of the early musical years, he certainly deserved it.
He enjoyed the fame, and it was clear he enjoyed the fame, living the rock and roll lifestyle to the full. But living that life wasn’t the only habit he adopted and then became addicted to. Those other habits would be the cause of his sad and tragic, yet self-inflicted, demise.

Before those darker days however Phil Lynott had established himself as one of the greatest front men in rock with his audience rapport, trademark menacing-but-melodic vocal (with that Irish brogue accent infused into the delivery) and those driving bass runs.
The thin black-clad charmer, with a gleam in one eye and a girl in the other.
Picture
                          "Is there anybody here with a little Irish in them? Is there any of the girls
                           that would like a little more Irish in them?" Phil Lynott - Live and Devilish.


When Gary Moore left Thin Lizzy in 1979 he was replaced by Snowy White and the band continued to be a top draw for another three years, releasing two albums with White. But by 1983 Thin Lizzy had run its course.
That year’s tour (with John Sykes now the six-string partner to Gorham) was billed as their farewell tour, but it wasn’t as if Lynott had no musical life outside of Lizzy…

Prior to Lizzy’s split Lynott had released his first solo album, Solo on Soho, in 1980. It was a chart success in the UK and produced two hit singles.
But it was a case of diminishing returns by the time of his follow up, The Phil Lynott Album, released in 1982. It was a musical and commercial flop.
It did however spawn a surprising hit in ‘Yellow Pearl,’ which also became the theme for the long-running BBC music show Top of the Pops.

Those releases weren’t his first musical forays outside of Lizzy.
Other projects included an appearance as a featured character and vocalist on Jeff Wayne’s acclaimed musical adaptation of H. G. Wells’ War of the Worlds in 1978, where he took on the role of The Parson.
The following year he was part of The Greedies (a band featuring other Lizzy members and Steve Jones and Paul Cook of The Sex Pistols) who released the Christmas single ‘A Merry Jingle.’
1979 also saw the release of Gary Moore’s Back on the Streets album, a mix of fusion and hard rock tracks, with Lynott featured on a number of the songs including lead vocals on ‘Parisienne Walkways’ (released as a single the year before).

Post-Lizzy, Lynott formed Grand Slam, but contrary to what many hard-core Lynott or Lizzy fans may say or remember, the band were not as grand as their name suggested.
They toured throughout 1984, predominately featuring new Lynott/ Grand Slam songs, with only a smattering of his solo material performed.
The band also purposely stayed away from the Lizzy classics as they tried to establish their own identity and only three Lizzy songs were ever performed.

Grand Slam featured some excellent musicians including Magnum’s keyboard player Mark Stanway and the talented young guitarist Laurence Archer, previously of Stampede (another band lost to the early ‘80s melodic hard rock shuffle).
But the problem for Grand Slam was they were always going to be compared to Thin Lizzy and had to follow what Phil Lynott and the Lizzies had achieved.
They simply couldn’t.

Finding it hard to capture a large enough audience or any real interest from record labels, Grand Slam split in 1985.
The band did have some strong material of its own however such as ‘Sisters of Mercy’ and ‘Military Man.’ The latter found a home when Gary Moore recorded it in 1985, appearing on his Run for Cover album, with Lynott providing lead vocals and bass guitar.
Also contrary to the usual belief or fan-memory, Grand Slam weren’t always on top form live 
– but that was more to do with Lynott than the rest of the band...

As mentioned earlier, Phil Lynott bought into the whole rock star persona.
Trouble was, he also bought just about everything the dealers were selling.
He wasn’t the only one – nearly all the major players in Lizzy’s glory days had their own demons, but none more than Lynott. His drug use and alcohol dependency was an issue in the late '70s, but by the mid '80s it was a serious health concern.

I never saw a bad Lizzy performance.
No matter what state Lynott may have been in when he hit the stage he was always in control of the audience, and himself.
But by the time of Grand Slam his health was failing, certainly as regards stamina, and bootlegs that exist clearly present a musician running out of steam as the sets drew to a conclusion.
I saw Grand Slam perform and although they performed well, they were always in the shadow of Thin Lizzy. And Lynott was a shadow of his former self.
He was still charismatic, still very much the front man, but there was a noticeable drop in performance.

Performances in the studio were usually top-notch, however.
After Grand Slam disbanded Lynott continued to work on solo material and collaborated with other musicians.
He dueted on vocals with Gary Moore on the guitarist’s hit ‘Out in the Fields’ and late in the year issued what became his last ever release, the single ‘Nineteen.’
By December he was talking about further collaborations with Gary Moore and the possibility of a Thin Lizzy reformation. 

However on the 25th December 1985 he collapsed at home and once taken to hospital was found to be suffering from a liver and kidney infection.
He died of heart failure and pneumonia ten days later.

Remembering Part 1 - Thin Lizzy (1971)
But that's not quite the end of this Remembering...

Lynott’s lyrical ability didn’t just start and end with his songs, he also wrote poetry.
Most of his published poetic works were Thin Lizzy lyrics 
– his first book of poems was published in 1974 and a second in 1977. A single volume edition was made available in 1997.

On what would have been his 56th birthday, August 20th 2005, the ultimate tribute was paid to Phil Lynott.
In a ceremony attended by his mother and former Lizzies Eric Bell, Brian Downey, Gary Moore, Brian Robertson, Scott Gorham and Darren Wharton (the band’s keyboard player in the '80s), a life-size bronze statue of the musician was unveiled on Harry Street in Dublin.

That night, at the Point Theatre in Dublin, Gary Moore hosted what was, and remains, the definitive live tribute to Lynott’s music.
Moore, backed by Downey and bass player Jonathan Noyce, performed a set of predominately classic Lizzy material with guitarists Robertson, Gorham and Bell guesting on specific songs.
The show was released on DVD in 2007 and Blu-ray in 2009, titled One Night in Dublin: A Tribute to Phil Lynott. 

Over five years on from that tribute, and twenty-five years on from his death, many
are Remembering the part played in the history of rock music by the rock and roll poet with the roguish charm.
Ross Muir
January 2011



The audio tracks are presented to accompany the above article and in tribute to the memory of Phil Lynott. No infringement of copyright is intended.

Photo credit: Pete Cronin/ Redferns
Website and text contents © FabricationsHQ and Ross Muir
All Rights Reserved